
Lure of Distance
Oil and oil pen on canvas
36 x 60 in
Liminal Space #35, Red Fence
Oil on panel
13" x 17" framed
Liminal Space #36, Cloud Dreams
Oil on canvas
48" x 60"
“Liminal Space #28: Disconnect”
Oil paint and marker on linen
36" x 48"
Liminal Space #30
Oil on linen
36" x 48"
Mystery Birds
Oil and oil pen on canvas
10" x 13" framed
L.S. #11, Lake Effect
Oil on panel
12" x 15" framed
Liminal Space #5
Oil on canvas
19.25" x 25.25" framed
L.S. #19, Once Pink
oil on panel
17" x 13" framed
L.S. #32, Moon Trees
Oil on panel
17 3/8" x 21 3/8" framed
Liminal Space #24: Landscape Memories
Oil on linen
18" x 24" framed
Liminal Space #15
Oil on canvas
19.25" x 25.25" framed
Last Light II
Alchohol ink on digital styrene
25” x 50”
Between
Alcohol ink on Yupo panel
12” x 28”
Tomorrow’s Cloud
Alchohol ink on digital styrene
25” x 50”
The Vast
Alcohol ink on digital styrene
50” x 99”
Lost Bird
Oil on panel
12” x 9”
Circus Crow
Oil on canvas
30” x 40”
Indian Mounds II
Oil on panel
10” x 16”
Rose Rain
Oil on panel
40” x 30”
Red Night
Alcohol ink on digital styrene
12” x 25”
American
B. 1945
Bernard Palchick is both an accomplished watercolorist and oil painter and works in a variety of styles, including abstraction and magic realism. After obtaining his Bachelor of Arts at Purdue University, and his Masters of Fine Arts at the Rhode Island School of Design, Palchick began his career as a professor of art at Kalamazoo College in Kalamazoo, MI. Over the next few decades, he served in various positions there, including Chair of the Art Department, Acting Provost, and Acting President. During his career he has exhibited extensively, including shows at the Springfield (MO) Art Museum, Kalamazoo College, and at numerous private galleries across the US. He is represented in numerous public and private collections, including that of A T & T in Chicago, IL and the Kalamazoo Institute of Art.
"I want these paintings to draw the observer into the world of the painting to discover the magical beauty in the details and to invent their own myths and rituals suggested by the imagery."
Palchick relies on, and derives great joy from the direct observation of nature, and the celebration of beauty found in the smallest of details. The observable world- the vastness of landscapes, the structure of a mountain, the feather pattern of a bird’s wing, the play of light on translucent glass- these are all some of his muse’s. Palchick enjoys paintings from direct observation, considering it an energizing process of comprehension, and of being mesmerized by the subject. Ideas about myth and ritual serve as a core concept of the imagery in his paintings. His choice of objects along with their odd juxtapositions are attempts to playfully answer questions about the magic of things- trees, rocks, string, marbles, mountains, clouds. Through his work, Palchick strives to draw the observer into the world of the painting to discover beauty in the details, and invent their own myths and rituals suggested by the imagery.
A dozen artists address the concept of home...